Making the Grade: Gender and Race on Television
So, about two weeks ago,
handyhunter put up this test-
From theangryblackwoman.com: The Bechdel Test and Race in Popular Fiction
1. It has to have two POC in it.
2. Who talk to each other.
3. About something other than a white person.
Clearly, it is taken from the Bechdel Test that relates to Gender:
1. It has to have two women in it.
2. Who talk to each other.
3. About something other than a man.
The Angry Black Woman (and
handyhunter) then proceeded to talk about various fandoms and do a basic "measure" of them. I was so fascinated by this idea that I've decided to copy it and apply both tests to my fandoms, just to see what there is to see.
I'm increasingly curious as to what fandoms actually pass these tests, especially given all of the recent commentary about Supernatural and Glee, which are both shows that I enjoy, but neither show generally inspires me to fic.
Anyway, onto the tests. These are all shows that I watch regularly. I really want to do this for other forms of fandom, too – comics, manga/anime, but I don't have time at the moment. I will come back to it though.
Shows (These are basically the shows that I like, even though I am not fannish about some of them. And after listing them, I'm really glad that they're not all on at the same time.) Also, for purposes of this little project, I'm not going to consider background characters as recurring characters, even if they appear in several episodes, unless they have fairly large speaking roles.
30 Rock
I am about halfway through the first season, and this show definitely passes both the Race and Gender Bechdel tests. It is also one of the only shows that stars a female lead. Regardless, there are two recurring women characters, who often discuss their careers with each other, as well as their fears and individual personality quirks.
There are three minority recurring characters (two black and one Indian). There have been episodes where these characters talk to each other about their careers, their talents, their abilities, and even the effects of racism on them personally.
So, in sum, in addition to being funny, this show gets an A for both tests.
Being Human
This stars two white men and one black woman. By virtue of that alone, I think it fails both tests. I am wracking my brain to think whether it ever passes the test, and despite my love for all the characters, I don't think it does. The only conversation I recall Annie having with another woman revolves around Annie's ex-boyfriend.
So, for purposes of this project, it's a double F for this show.
Big Bang Theory
Let's see – three white men, one Indian man, and one white woman make up the central cast of characters. I've only seen the first season, so if things change in season 2, please don't spoil me!
That said, there are instances where Penny is talking to other women, but I'm 95% sure that it always either about one of the boys, or about someone's boyfriend. I'm not sure that I'm aware of Raj ever speaking to another character of color. It's been a while since I've seen this show, but I'm fairly sure that I'm right.
So, another double F. At least for season one.
Burn Notice
This hurts me, because I adore this show, but the main cast is two white men and a white woman, with a strong secondary cast consisting of another white woman and another white man. Then there is a recurring cast made up of yet more white women and men, with one detective played by Moon Bloodgood (Irish, Dutch, South Korean heritage).
I haven't finished the third season yet, but as far as I can recall, any conversation Fiona has with another woman is usually about a man, either Micheal or some abuser that Fiona and Michael are going to protect the woman from. While there are a fair number of strong women characters, I do not think that this show will pass the Bechdel test.
I would love to be wrong about that, so if someone remembers something that I'm forgetting, please tell me. However, I think by virtue of the fact that I’m forgetting it, it is pretty much a done deal.
Double F.
Doctor Who
The cast for this show is huge, but generally speaking, the Doctor and his companion make up the recurring cast. Since they do not alone pass either test, I'm considering for this show episodes that feature casts coming and going.
Martha Jones – one of my favorite characters ever – is both black and a woman. She speaks with other women about many things, including the Doctor, but not solely about the Doctor. She also speaks with her family about her career, although not with any great detail that I recall.
Rose has her mother. Donna has her mother. All of the women talk to other women about other things, even if it is not the point of the episodes. So, while it does pass the Gender Bechdel test, I'm not sure it passes with flying colors, as these discussions seem to be more sporadic than as a result of any significant plot point.
Gender: B Race: C
Dollhouse
Oh, people are going to hate me for this one, but there are multiple characters of color who talk to each other (Paul, Victor, Sierra, Boyd, Ivy) about things other than white folk and the women talk to each other about a variety of issues other than men.
On the surface of it, I'd have to say that this show passes both tests. Of course, the squick factor surrounding all these characters is problematic, but…
Gender: A, Race: A
Glee
As a show causing a great deal of stir at the moment, the cast is large and fairly even between men and women, with a good number of characters being minorities. Since there have only been two episodes when I'm writing this, I'm only judging the two episodes, and this is subject to change pretty much immediately.
There are women who talk to each other, but… I think it's almost always about men. Unless you consider Sue and the Cheerios and then it's about cheerleading and their desire to cause problems for the Glee Club, which does count, so this show passes the Gender Bechdel test, but not with any kind of flying colors.
I am wracking my brain to see if I can recall any scenes at all where any of the characters of color spoke to each other. Other than the general scenes of the Glee Club members talking all together, I can't recall a single one. Does this count? I'm skeptical that it does, but it does at least appear in the show.
So, Gender: C, Race: D.
Grey's Anatomy
Much to my surprise, since the quality of this show often leaves something to be desired in my opinion, this show passes both tests with flying colors.
Gender: A, Race: A
House
Oh, House. You hurt me so. Various seasons of this show would fail the race portion of this test. However, if I look at last season, there were several episodes that passed the test with flying colors. Kutner and Foreman spoke frequently about patients and the job. For the purposes of this test, I do not think that discussing a white patient equates to failing.
It passes the gender portion of the test easily. Cuddy, 13, Cameron – all of them have discussed various issues (not about men) with each other and with female patients.
Gender: A, Race: A
Law & Order: SVU
In ten years, this show has managed to pass both tests. But not well, I don't think, especially the race test. While there have been multiple occasions where minority characters worked together and spoke with each other about the case, their lives, and random other details, in ten years I don't believe it has happened that often.
There are several women characters who recur, although not as many as I would have suspected given the longevity of the show. They do speak with each other about a great deal, but most of the show revolves around sex crimes, so I'm not 100% sure that a discussion about their job is completely above board for the purposes of this test. Still, there have been instances of the women talking about issues ranging from mental illness to religious rights and freedoms.
Gender: B, Race: B
Leverage
As much as I love this show, it doesn't pass the Race portion of this test. It has one of the best characters of color in it – Hardison! – but he rarely interacts with other characters of color. In fact, while I'm wracking my brain here, I'm not positive he ever does. Help me out, if you're still reading? Does he?
There are two women in the cast, and they do discuss the job with each other, although more often than not, they're discussing Nate or one of the other male characters, or a female "victims" situation.
Gender: C, Race: F
Primeval
I quit watching after season 2 and am not sure I will ever watch season 3, but I include this show because I really loved it when I loved it. And having said all that, I must now say that I'm not sure that show ever had a character of color on it, and certainly not one in the main cast.
There were two women on the show, but I don't recall if they ever spoke to each other about anything, even a man. As much as I love the women on the show, I do not believe it passes the test.
Gender: F, Race F-
Private Practice
Like Grey's Anatomy, this show passes both tests with flying colors. Like Grey's Anatomy, I have serious reservations about the value of this show, only I can't stop watching it.
Gender: A, Race: A
Psych
A main cast of two, one white guy* and one black guy. *For the purpose of this analysis, I will ignore the fact that James Rhoday is actually a person of color, and focus on the fact that Shawn Spencer is most certainly not a character of color.
The additional support cast includes two women and two men. The two women are shown talking to each other about work, including about being women in a predominantly male (police) work force.
Gus is black and he has frequent conversations with his family, as well as with various girlfriends who are not white. While a good number of these conversations do focus on the fact that Shawn is a nutcase and/or Psych, they also focus on Gus's life independent of Shawn and, therefore, pass the test.
Gender: B, Race: B+
Supernatural
I really feel there is little point in even discussing this show with much detail. Two white men, and now a white man angel, the women and characters of color usually die. I do not recall ever seeing the women talk to each other about something other than one of the boys, either.
Gender: F, Race: F
Sanctuary
A main cast of 5, two white men, two white women, and a Bigfoot. There are two more recurring white male characters. There are no significant characters of color. The women are the focus of the show, and this is one of the other shows where a woman is the lead. A mother and daughter pairing, both women often talk to each other about anything but men.
Gender: A, Race: F
Torchwood
So, if we look back in the day, we had three white men, one white woman and one Asian woman. I'm wracking my brain, but even when Martha is on the show, I don't know that she and Tosh ever spoke to each other in any meaningful way. Tosh and Gwen do speak to each other, but it is most often about men, although it is sometimes about the case of the week.
Gender: C, Race: F
Now, having gone through my own, completely unscientific analysis of these shows, I am curious as to why some of them receive a higher level of dispensation than others. I realize that my tastes are sort of varied, and there tends to be a bit of something in most categories in this list, but there is definitely a bewize-bias in everything on this list. This is the content of *my* tivo.
(If you read all that, I'd love to hear your comments on these shows, or comments on the shows that you watch. And I'd love to know why some shows engender more negative comments on race and gender issues than other shows that I don't watch.)
For example, and off the top of my head, I've heard Torchwood criticized for gender issues, but not race issues. I've rarely heard Doctor Who criticized for either. Both have room for improvement, from what I can see. Leverage seems to often be praised for having a character of color in the limelight, while from what I can see, it doesn't pass the Bechdel test in terms of race, when Dollhouse, which stirs nothing but fan controversy, does pass the test.
I realize that a lot of the problems can come about from exactly how the cast is portrayed (Dollhouse), or that problems can be soothed by having a minority character appear a central part of the cast (Psych, Leverage), but like I said – this is just a starting place for thinking.
And as always, there is tons of room for disagreement. Feel free to point out anything that I missed, please.
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
From theangryblackwoman.com: The Bechdel Test and Race in Popular Fiction
1. It has to have two POC in it.
2. Who talk to each other.
3. About something other than a white person.
Clearly, it is taken from the Bechdel Test that relates to Gender:
1. It has to have two women in it.
2. Who talk to each other.
3. About something other than a man.
The Angry Black Woman (and
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I'm increasingly curious as to what fandoms actually pass these tests, especially given all of the recent commentary about Supernatural and Glee, which are both shows that I enjoy, but neither show generally inspires me to fic.
Anyway, onto the tests. These are all shows that I watch regularly. I really want to do this for other forms of fandom, too – comics, manga/anime, but I don't have time at the moment. I will come back to it though.
Shows (These are basically the shows that I like, even though I am not fannish about some of them. And after listing them, I'm really glad that they're not all on at the same time.) Also, for purposes of this little project, I'm not going to consider background characters as recurring characters, even if they appear in several episodes, unless they have fairly large speaking roles.
30 Rock
I am about halfway through the first season, and this show definitely passes both the Race and Gender Bechdel tests. It is also one of the only shows that stars a female lead. Regardless, there are two recurring women characters, who often discuss their careers with each other, as well as their fears and individual personality quirks.
There are three minority recurring characters (two black and one Indian). There have been episodes where these characters talk to each other about their careers, their talents, their abilities, and even the effects of racism on them personally.
So, in sum, in addition to being funny, this show gets an A for both tests.
Being Human
This stars two white men and one black woman. By virtue of that alone, I think it fails both tests. I am wracking my brain to think whether it ever passes the test, and despite my love for all the characters, I don't think it does. The only conversation I recall Annie having with another woman revolves around Annie's ex-boyfriend.
So, for purposes of this project, it's a double F for this show.
Big Bang Theory
Let's see – three white men, one Indian man, and one white woman make up the central cast of characters. I've only seen the first season, so if things change in season 2, please don't spoil me!
That said, there are instances where Penny is talking to other women, but I'm 95% sure that it always either about one of the boys, or about someone's boyfriend. I'm not sure that I'm aware of Raj ever speaking to another character of color. It's been a while since I've seen this show, but I'm fairly sure that I'm right.
So, another double F. At least for season one.
Burn Notice
This hurts me, because I adore this show, but the main cast is two white men and a white woman, with a strong secondary cast consisting of another white woman and another white man. Then there is a recurring cast made up of yet more white women and men, with one detective played by Moon Bloodgood (Irish, Dutch, South Korean heritage).
I haven't finished the third season yet, but as far as I can recall, any conversation Fiona has with another woman is usually about a man, either Micheal or some abuser that Fiona and Michael are going to protect the woman from. While there are a fair number of strong women characters, I do not think that this show will pass the Bechdel test.
I would love to be wrong about that, so if someone remembers something that I'm forgetting, please tell me. However, I think by virtue of the fact that I’m forgetting it, it is pretty much a done deal.
Double F.
Doctor Who
The cast for this show is huge, but generally speaking, the Doctor and his companion make up the recurring cast. Since they do not alone pass either test, I'm considering for this show episodes that feature casts coming and going.
Martha Jones – one of my favorite characters ever – is both black and a woman. She speaks with other women about many things, including the Doctor, but not solely about the Doctor. She also speaks with her family about her career, although not with any great detail that I recall.
Rose has her mother. Donna has her mother. All of the women talk to other women about other things, even if it is not the point of the episodes. So, while it does pass the Gender Bechdel test, I'm not sure it passes with flying colors, as these discussions seem to be more sporadic than as a result of any significant plot point.
Gender: B Race: C
Dollhouse
Oh, people are going to hate me for this one, but there are multiple characters of color who talk to each other (Paul, Victor, Sierra, Boyd, Ivy) about things other than white folk and the women talk to each other about a variety of issues other than men.
On the surface of it, I'd have to say that this show passes both tests. Of course, the squick factor surrounding all these characters is problematic, but…
Gender: A, Race: A
Glee
As a show causing a great deal of stir at the moment, the cast is large and fairly even between men and women, with a good number of characters being minorities. Since there have only been two episodes when I'm writing this, I'm only judging the two episodes, and this is subject to change pretty much immediately.
There are women who talk to each other, but… I think it's almost always about men. Unless you consider Sue and the Cheerios and then it's about cheerleading and their desire to cause problems for the Glee Club, which does count, so this show passes the Gender Bechdel test, but not with any kind of flying colors.
I am wracking my brain to see if I can recall any scenes at all where any of the characters of color spoke to each other. Other than the general scenes of the Glee Club members talking all together, I can't recall a single one. Does this count? I'm skeptical that it does, but it does at least appear in the show.
So, Gender: C, Race: D.
Grey's Anatomy
Much to my surprise, since the quality of this show often leaves something to be desired in my opinion, this show passes both tests with flying colors.
Gender: A, Race: A
House
Oh, House. You hurt me so. Various seasons of this show would fail the race portion of this test. However, if I look at last season, there were several episodes that passed the test with flying colors. Kutner and Foreman spoke frequently about patients and the job. For the purposes of this test, I do not think that discussing a white patient equates to failing.
It passes the gender portion of the test easily. Cuddy, 13, Cameron – all of them have discussed various issues (not about men) with each other and with female patients.
Gender: A, Race: A
Law & Order: SVU
In ten years, this show has managed to pass both tests. But not well, I don't think, especially the race test. While there have been multiple occasions where minority characters worked together and spoke with each other about the case, their lives, and random other details, in ten years I don't believe it has happened that often.
There are several women characters who recur, although not as many as I would have suspected given the longevity of the show. They do speak with each other about a great deal, but most of the show revolves around sex crimes, so I'm not 100% sure that a discussion about their job is completely above board for the purposes of this test. Still, there have been instances of the women talking about issues ranging from mental illness to religious rights and freedoms.
Gender: B, Race: B
Leverage
As much as I love this show, it doesn't pass the Race portion of this test. It has one of the best characters of color in it – Hardison! – but he rarely interacts with other characters of color. In fact, while I'm wracking my brain here, I'm not positive he ever does. Help me out, if you're still reading? Does he?
There are two women in the cast, and they do discuss the job with each other, although more often than not, they're discussing Nate or one of the other male characters, or a female "victims" situation.
Gender: C, Race: F
Primeval
I quit watching after season 2 and am not sure I will ever watch season 3, but I include this show because I really loved it when I loved it. And having said all that, I must now say that I'm not sure that show ever had a character of color on it, and certainly not one in the main cast.
There were two women on the show, but I don't recall if they ever spoke to each other about anything, even a man. As much as I love the women on the show, I do not believe it passes the test.
Gender: F, Race F-
Private Practice
Like Grey's Anatomy, this show passes both tests with flying colors. Like Grey's Anatomy, I have serious reservations about the value of this show, only I can't stop watching it.
Gender: A, Race: A
Psych
A main cast of two, one white guy* and one black guy. *For the purpose of this analysis, I will ignore the fact that James Rhoday is actually a person of color, and focus on the fact that Shawn Spencer is most certainly not a character of color.
The additional support cast includes two women and two men. The two women are shown talking to each other about work, including about being women in a predominantly male (police) work force.
Gus is black and he has frequent conversations with his family, as well as with various girlfriends who are not white. While a good number of these conversations do focus on the fact that Shawn is a nutcase and/or Psych, they also focus on Gus's life independent of Shawn and, therefore, pass the test.
Gender: B, Race: B+
Supernatural
I really feel there is little point in even discussing this show with much detail. Two white men, and now a white man angel, the women and characters of color usually die. I do not recall ever seeing the women talk to each other about something other than one of the boys, either.
Gender: F, Race: F
Sanctuary
A main cast of 5, two white men, two white women, and a Bigfoot. There are two more recurring white male characters. There are no significant characters of color. The women are the focus of the show, and this is one of the other shows where a woman is the lead. A mother and daughter pairing, both women often talk to each other about anything but men.
Gender: A, Race: F
Torchwood
So, if we look back in the day, we had three white men, one white woman and one Asian woman. I'm wracking my brain, but even when Martha is on the show, I don't know that she and Tosh ever spoke to each other in any meaningful way. Tosh and Gwen do speak to each other, but it is most often about men, although it is sometimes about the case of the week.
Gender: C, Race: F
Now, having gone through my own, completely unscientific analysis of these shows, I am curious as to why some of them receive a higher level of dispensation than others. I realize that my tastes are sort of varied, and there tends to be a bit of something in most categories in this list, but there is definitely a bewize-bias in everything on this list. This is the content of *my* tivo.
(If you read all that, I'd love to hear your comments on these shows, or comments on the shows that you watch. And I'd love to know why some shows engender more negative comments on race and gender issues than other shows that I don't watch.)
For example, and off the top of my head, I've heard Torchwood criticized for gender issues, but not race issues. I've rarely heard Doctor Who criticized for either. Both have room for improvement, from what I can see. Leverage seems to often be praised for having a character of color in the limelight, while from what I can see, it doesn't pass the Bechdel test in terms of race, when Dollhouse, which stirs nothing but fan controversy, does pass the test.
I realize that a lot of the problems can come about from exactly how the cast is portrayed (Dollhouse), or that problems can be soothed by having a minority character appear a central part of the cast (Psych, Leverage), but like I said – this is just a starting place for thinking.
And as always, there is tons of room for disagreement. Feel free to point out anything that I missed, please.
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They've had some strong female characters over the year, both sympathetic and not (Jo, Ellen, and Bella all come to mind), but race is a little more troublesome. I remember three recurring black characters, and two of them were villains.
The only other characters who have been major players were John, Bobby, and Castiel. So they could use a little more diversity, I'd say, but I'm a lot more willing to forgive this than I am something like, say, Dawson's Creek (an old guilty pleasure of mine) where they had a huge freaking rotating cast and not a single POC in the entire show.
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I never watched Dawson's Creek, but I can say that The OC, which I did watch, also fails on the race test, though it passes gender.
I want to do a comcis version of this analysis so badly! I'll try and get to it in the next week or so.
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This makes me wonder what the show would have been like if they'd done that. It also makes me wonder if there are any mainstream shows at all staring an entirely POC cast... I can't think of any, but then (despite the way that list look), I don't actually watch that much television. *lol*
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The more you talk about sentai, the more I know that I'll like it. I'm going to have to just sit down and watch one soon. Also, I was wondering if you ever read/watched Blood Plus? There is a live action movie coming out and it looks so beautiful! I'm looking forward to seeing it.
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Did Misa and Ren ever talk about anything besides Light ...? Probably not.
I've never seen or read that one -- I think it's been around for a long time, though.
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And I wonder why we didn't see any of Wammy's kids being girls. It's a shame...
I think I may try and watch some of Blood +, because it stars a girl character.
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It is hard! And it's a shame that it's so hard.
No worries about the account. You're welcome in whatever disguise you wish. *shifty eyes*
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Oh DeathNote, how you betray the female gender?! So true... and yet I still love it. Although, demoralized as the girls were; they were not dumb by any measure and only influenced by their desire to attain a position of power, albeit by a "god-man's" side. If a man sleeps his way to the top, does he receive such condescension as a girl does? Just say, there's double standards even in our standards of judging.
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And Death Note - I have to say I didn't like any of the women in that very much. They weren't stupid, no, but they all seemed to have to use their looks to get ahead in the world. Even Takada was a news anchor and not a journalist.
I wonder why the authors didn't consider casting a girl Mello or Near. It's an interesting question.
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But Stargate SG-1 passes both! Sam and Janet often spoke about science and Cassandra, and things that didn't relate to their male cohorts. Teal'c often spoke with other Jaffa about their fight for freedom, like Bra'tac and Rak'nor, etc. So I would say SG-1 gets a pass while SGA... passes, too, I think. Teyla, Ronon, Ford... they talked about missions, right? Teyla and Weir also talked about things involving being leaders (or I may just be wishfully thinking... :D)
James Roday is half-Mexican? Wow, I had no idea! The things you learn while reading about fandom fail. ;-D
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Gina Bellman seems to be English and Russian (and maybe Jewish?), but I didn't see any Indian ancestry. Of course, this means nothing and she might be. And you're right, she truly pulled it off in that episode.
Sanctuary was kind of a sad realization. I think the show does so well with women, and the allegory of race is there, but it doesn't carry through. In my opinion it's a bit like District 9, and I wonder what the strength of a show about race issues is when none of the characters are people of color.
I will still watch it and now I'll hope that it will change.
LOL. I worry that some of my analysis will prove to be wishful thinking, too. It was a shocking look to break apart my fandoms like this. But, I think it's a good idea. It makes me really realize how much time I wrap my mind in subliminal messages that I really don't agree with. :(
I also now want to know where the progressive shows are. Surely, there are more out there than the Stargates and Grey's Anatomies of the world...
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~nods~ I went to Wiki, too. I was sure there was something! Half, quarter... but hey, maybe she just tans a lot. ;-D
Sanctuary was kind of a sad realization. I think the show does so well with women, and the allegory of race is there, but it doesn't carry through. In my opinion it's a bit like District 9, and I wonder what the strength of a show about race issues is when none of the characters are people of color.
I will still watch it and now I'll hope that it will change.
Me too! Sanctuary did have a POC, when they recast the weapons designer from the webisodes. But he died rather quickly, which was sad. I wanted to see more of him.
I also now want to know where the progressive shows are. Surely, there are more out there than the Stargates and Grey's Anatomies of the world...
There must be! I would hate to think Grey's Anatomy is the goal. ;-D There's another show on ABC called "Defying Gravity," which has people of color (One Hispanic woman, and a black couple), but they rarely interact one on one. Plus I hate the Hispanic woman because she exists only to dumb things down for the audience and narrate what's happening. But I digress. ;-D
It's sad how few shows really pass both tests! Dead Like Me had three women, who frequently talked to each other about everything, and talk about boys were a rarity. But even though Roxy was Jasmine Guy, everyone else was lily white.
Oh! Speaking of Lily... Cold Case passes both. Cat and Jeffries are black, Scotty is Cuban, and they often talk about the cases and - now and then - personal problems. Go, Cold Case! :D
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Sanctuary had webisodes??? Fail! How did I miss that. Well then, everything I said doesn't apply to the webisodes, since I didn't ever see them.
I never saw Dead Like Me, alhtough I've got the first disc ready to stream on Netflix.
Cold Case - I don't know that show. What's it about?
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Dead Like Me... if the first season doesn't grab you, give it time. Season 2 is BRILLIANT.
Cold Case! It's about a team of detectives who investigate cases that have gone cold. It really brilliantly cast two people to play the victims/witnesses/suspects in each time frame. Present Day and Back When It Happened. It's a really nifty show, and they took a few episodes working out the kinks changing the squad from "We're homicide" to "We're homicide, but we mainly investigate cold cases now." I suggest checking it out!
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Also, thanks for the recs.
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Some of these shows are kind of problematic by their set up - for example, Doctor Who having the dynamic it does, with only one male and one female regular in every episode, it is going to struggle. I do feel that both DW and TW do female characters very well for the most part, so I'm prepared to give them some kudos on that front, though I recognise that's a subjective judgment (and I wouldn't say they're utterly beyond criticism).
Being Human, again, with Annie being a ghost it's the nature of her character that she's not going to be hugely gregarious, but it is interesting that the "invisible" role went to the woman of colour when any one of the three could have been designated the female during the show's conception. But no, the two beings who are aggressive by their very nature are male, while the intangible one is female. Which is kind of disappointing, because actually I like Being Human a lot.
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I really like Being Human, too. I actually really like quite a few of the shows that fail across the board (Burn Notice). But it's an interesting exercise to dissect them like this.
It makes me realize all the subliminal messages I get that I don't really agree with.
I do feel that both DW and TW do female characters very well for the most part, so I'm prepared to give them some kudos on that front, though I recognize that's a subjective judgment (and I wouldn't say they're utterly beyond criticism).
This is another interesting point. I would agree that TW and DW (and even Primeval) have really well thought out and fantastic women characters. I cannot even express how awesome I think Donna is, or Martha, or Gwen, or Abby! But, in terms of the test, if they aren't speaking with other women about something other than men, the shows don't pass the Bechdel test.
I don't think this is really a commentary on the characters as much as it is a commentary on the show or writers.
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I don't think this is really a commentary on the characters as much as it is a commentary on the show or writers.
Definitely, I think you're right, because I don't think Annie is a bad character per se, but it's interesting to think about what decision making process, even subconsciously, lead them to give the female character the "softer" role, for want of a better word. And actually, last night I watched that episode where she's trying to haunt her ex and fails because he's scarier than she is - at the end, when she is finally able to stand up to him and intimidate him, it's only with Mitchell and George at her back she can find the strength to do that. Which I know is probably supposed to be a message about friendship and unity, but doesn't necessarily come over like that.
As for Donna and Gwen, they're two of my favourite female characters of all time ever. It makes me so sad and angry that Gwen gets bashed so much, and bashed essentially because she's confident and sexual and all the things women shouldn't be allowed to be.
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Mitchell would have made a very interesting ghost. Urg. Now I want AUs! *lol*
at the end, when she is finally able to stand up to him and intimidate him, it's only with Mitchell and George at her back she can find the strength to do that.
She absolutely terrified me in that scene. My hair stood up. And I really want to know what she told Owen that she then wouldn't tell George.
I looked for an icon of the three of them, but haven't found one that I really like yet. I shall keep looking. (Also, they are one of the few OT3s that I can really see working potentially.)
Gwen bashing... I will confess that I didn't like Gwen much for part of season 1. Then I stopped, because I read a post suggesting that people give her a second chance, and I really thought about her, and her decisions.
And suddenly, I just got her. And she quickly became one of my favorite characters of all time. In CoE, I thought she was far and away the most... just, gah. I love love love love her.
More than that, I want to be her. *lol*
And I've loved Donna from the minute she screamed at the Doctor about the people in Pompeii, forever sealed when she wouldn't let the Doctor bear the burden of Pompeii alone. She is frigging epic. Even talking about that scene puts tears in my eyes
because I am that much of a dork.Okay. I've fangirled the girls in the Whoniverse enough now.
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But, you're right! Her father was cast as an Indian.
Thanks for pointing that out to me.
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Were all of his CoC the bad guys?
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Honestly, I can see the argument about the minor POC characters.
Thanks for your thoughts!
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In fact, on the BBC website, there is a special category that published the kids reactions to episode previews. One poor girls reaction when it was inferred that Martha and Jack weren't blonde enough to interest the Doctor (Utopia) was rather sad.
This problem was mirrored in the Mickey/Rose/Doctor dynamic, so a lot of people felt it was becoming too much of trend.
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I had to watch to figure out what the prompt was asking... *lol* And then I was hooked.
But I loved Martha and I loved the fact that in the end, she was strong enough to look for what would make her happy.
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Alas.
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in love withworried about Parker and together they override Nate to help those kids in the orphanage.Always, "what would Hardison do". ♥
Sophie and Parker should talk more about their lives. They're women in a predominantly boys club, it seems, and I would love to see more about how they got to their present positions.
Grey's. I wish I could quit you. *sighs*
I noted that this test isn't an indicator of quality - Yes you did, and no it isn't. But like I said to
Although, I will now definitely be looking for Middleman. It seems to be made of pure win!
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Victor (Enver Gjokaj) on Dollhouse is a tricky one - he's Albanian, which could make him white (southern European, which can be problematic in itself in mostly Anglo areas), but many Albanians are also Muslim and/or have Turkish heritage, which may make him non-white.
Every time I see this list, I always go to my happy Middleman place - passes the gender test every single episode, and the race test every episode (I think - there's one I'm not sure about!) I think the important thing is to have more than one woman and more than one person of colour in the *main cast* and then - like House, Dollhouse and Grey's Anatomy - even when the writing is hostile or problematic, they're still there, and their concerns and stories are visible, at a very minimum.
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If I met him in real life, I don't know that I would consider him a person of color, but then... I'm not sure it's my impression that counts.
I will definitely check out Middleman.
I think the important thing is to have more than one woman and more than one person of colour in the *main cast*
I agree. It would solve all the problems inherent in the test, and it would be left up to the writers to write something worth watching.
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One show I watch is Eureka and it wasn't on you list. I think it passes both tests. Alison and Henry are POC who are scientists and talk about that all the time. Many of the women are also scientists and those are the things they talk about.
It is tough to pass this test without a larger cast which is why Supernatural will never pass it.
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Yeah, it was kind of sad. I like all the shows I listed, too, otherwise I wouldn't watch them, but...
Why shows, why? Is it really so hard to have women in the cast? Or characters of color?
It is tough to pass this test without a larger cast which is why Supernatural will never pass it.
This is true. I think that a lot of the problem people have with Supernatural comes from the way it portrays women and CoC when they are in the show.
What happened to Missouri? Or Ellen? These were great characters that could have (should have?) easily be incorporated into more of the show. I loved them both.
Supernatural is one of those shows that I enjoy when I watch, but I haven't watched an episode on time in three years and didn't watch season 3 at all. I wish it could take all the things it does right (and it does a lot of things right!) and just fix the few problems it does have. Give me hot boys and kick ass women (who aren't bad guys/don't die).
Oh, well. Rise on Lucifer! I'm going to see what happens next!
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I wish that Supernatural hadn't killed so many great characters along the way like Victor Hendrickson - loved that guy! I don't understand why Ellen and Jo couldn't be around more - thought they'd probably be dead by now if they were.
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I have heard some spoilers about a female character but I don't want to mention them if you're spoiler free... but it interests me a lot!